Musiqa presents the Houston premiere of Voices from the Killing Jar by Pulitzer Prize finalist, composer/performer Kate Soper. Part monodrama, part song-cycle, part opera, Voices from the Killing Jar crosses a volatile musical landscape populated by a series of female protagonists, among them housewives, teenagers, and mothers and daughters; innocents and tragic heroines; and femmes fatales. From Madame Bovary’s passionate whirlwind of delusion, to Lady Macduff’s terrified lullaby, to Clytemnestra’s hypnotic and deadly rage, each one is brought to vivid and unforgettable life as Soper’s mercurial voice traces a path through their stories.
On the Program
Kate Soper:Voices from the Killing Jar for soprano, ensemble and electronics
Kate Soper, soprano; Andrew Nailey, baritone; Kayla Faurie, flute; Dan Gelok, saxophone; Blake Wilkins, percussion; Wesley Ducote, piano; Jackson Guillen, violin; Timothy Roy, electronics; with Jerry Hou, conductor
About Kate Soper
Photo by Liz Linder
Kate Soper is a composer, performer, and writer whose work explores the integration of drama and rhetoric into musical structure, the slippery continuums of expressivity, intelligibility and sense, and the wonderfully treacherous landscape of the human voice. She has been hailed by The Boston Globe as “a composer of trenchant, sometimes discomfiting, power” and by The New Yorker for her “limpid, exacting vocalism, impetuous theatricality, and…mastery of modernist style.” A Pulitzer Prize finalist, Soper has received awards from the Guggenheim Foundation, the American Academy of Arts and Letters (The Virgil Thomson and Goddard Lieberson awards and the Charles Ives Scholarship), the Koussevitzky Foundation, Chamber Music America, the Lili Boulanger Memorial Fund, the Music Theory Society of New York State, and ASCAP, and has been commissioned by ensembles including the Los Angeles Philharmonic, the American Composers Orchestra, Carnegie Hall, the Tanglewood Music Center/BUTI, the MIVOS string quartet, and Yarn/Wire. She has received residencies and fellowships from the Civitella Raineri Foundation, the Radcliffe Institute for Advanced Study, the Camargo Foundation, the Macdowell Colony, Tanglewood, Royaumont, and Domaine Forget, among others.
Praised by the New York Times for her “lithe voice and riveting presence,” Soper performs frequently as a new music soprano. As a singer and performer with experience in Western Classical and Indian Carnatic music, songwriting, improvisation, and experimental theatre, she has sung in U.S. and world premieres of works by composers such as Peter Ablinger, Beat Furrer, George Lewis, Matthias Spahlinger, and Katharina Rosenberger, and has appeared with groups such as the Morningside Opera Company, the Theatre of a Two-Headed Calf, and the Dinosaur Annex Ensemble. She performs regularly in her own works, and has been featured as a composer/vocliast on the Chicago Symphony Orchestra’s MusicNOW series, the New York City-based MATA and SONiC festivals, the Lucerne Forum for New Music, Gaudeamus Muziekweek New York, the Sacramento Festival of New Music, and the American Composers Orchestra’s Orchestra Underground series.
Soper is a member of Wet Ink, a New York-based new music ensemble dedicated to seeking out adventurous music across aesthetic boundaries. She is the Iva Dee Hiatt Assistant Professor of Music at Smith College.